Wednesday, 12 October 2016

Tribute To Kishore da

Kishore Kumar was born on 4th  August 1929 and became one of the greatest Indian film playback singer, actor, lyricist, composer, producer, director, screenplay writer and scriptwriter. He is considered the most successful Indian playback singer of the Hindi film industry of all time. He sang in many Indian languages including Bengali,Hindi, Assamese,Gujarati, Bhojpuri etc,

He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government and from that year onwards, the Madhya Pradesh Government initiated a new award called the "Kishore Kumar Award" for contributions to Hindi cinema.
Music director S. D. Burman is credited with spotting Kumar's talent for singing. Burman recorded with Kumar for Dev Anand's Munimji (1954), Taxi Driver (1954),House No. 44 (1955),  Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide(1965), Jewel Thief (1967),  Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their songs were; "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). Asha Bhosle and Kumar performed duets composed by Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958) and "Arre Yaar Meri Tum Bhi Ho Gajab" from Teen Deviyan (1965). S. D. Burman and Kumar continued to work together, including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from Prem Pujari (1969), "Aaj Madhosh Hua Jaaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee (1971), "Meet na mila" from Abhimaan (1973), and "Jeevan ki Bagiya mehkegi" from Tere Mere Sapne (1974). In 1975, S. D. Burman composed his last song for Kumar; "Badi Sooni Sooni Hai" for the film Mili.
Kumar produced, directed, acted in composed the music for Jhumroo (1961), and wrote the lyrics for the film's title song, "Main Hoon Jhumroo". Later, he produced and directed Door Gagan Ki Chhaon Mein (1964). He wrote the script and composed music for the film, which is about the relationship between a father (Kishore Kumar) and his deaf and mute son (played by his real-life son (Amit Kumar).
In the late 1960s, Rahul Dev Burman worked with Kishore Kumar on the soundtrack of the film Padosan (1968), in which Kumar sang "Mere Saamne Wali Khidki Mein" and "Kehna Hai." Padosan was a comedy in which Kumar as a dramatist-musician,
In 1969, Shakti Samanta produced and directed Aradhana. He sang two songs in the film; "Meri Sapnon Ki Rani" and "Roop Tera Mastana". Shakti Samanta suggested that Kumar sing the other songs. When the film was released, Kumar's two songs established him as a leading Bollywood playback singer. Kishore Kumar won his first Filmfare award for"Roop Tera Mastana".
In the 1970s and 1980s, Kumar sang for Rajesh KhannaAmitabh Bachchan,  Dharmendra,  Jeetendra,  Sanjeev KumarDev AnandShashi KapoorMithun ChakrabortyVinod KhannaDilip KumarRandhir KapoorRishi KapoorRajiv KapoorSanjay DuttSunny DeolAnil KapoorRakesh RoshanDilip KumarPranSachinVinod MehraChunky PandeyKumar GauravGovinda and Jackie Shroff.
R.D. Burman recorded several songs with Kumar in the 1970s, including "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang(1971), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971) and "Chingari Koi Bhadke (Amar Prem)" and "Jab Bhi Koi Kangana" from Shaukeen (1986). Although he was not formally trained in the classical music, R.D. Burman often had Kumar sing semi-classical songs, such as "Hamein Tum Se Pyaar Kitna" from  Kudrat and "Mere Naina Saawan Bhadon" from Mehbooba.
R.D. Burman recorded several duets pairing Kumar with Asha Bhosle and with Lata Mangeshkar, including "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Jaane Ja Dhoondta" and "Kharoshoo" from Harjai(1982)]
Apart from the Burmans, Kumar worked with other music directors. The composer duo Laxmikant-Pyarelal (L-P) composed many songs sung by him, including "Mere Mehboob Qayamat Hogi" from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehndi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi and "Tu Kitne Baras Ki" from Karz. L-P also worked with Kumar and Mohammed Rafi on duets for the films DostanaRam Balram and Deedaar-E-Yaar. L-P composed I love you (Kaate Nahin Katate Yeh Din Yeh Raat)" from Mr. India in (1987), a duet with Kumar and Alisha ChinoySalil Chowdhury recorded songs like "Koi Hota Jisko Apna" from Mere Apne and "Gujar Gaye Din Din" from Annadata. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duets "Le Jaayenge Le Jaayenge" from Chor Machaye Shor and "Tota Maina Ki Kahani" fromFakira.
Khaiyyaam recorded Kumar's duets with Lata Mangeshkar, including "Hazaar Raahein" from Thodisi Bewafaii and Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from MashaalKalyanji Anandji recorded several songs with Kumar including Zindagi Ka Safarand Jeevan Se Bhari Teri Aankhein, from Safar, O Saathi Re from Muqaddar Ka Sikandar and Pal Bhar Ke Liye from Johny Mera Naam.
Kumar worked with other composers including Rajesh RoshanSapan Chakraborty and Bappi Lahiri. Kumar sang Bhool Gaya Sab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise for Rajesh Roshan's film Julie. Their other songs include Yaadon Mein Woh from SwamiChhookar Mere Man Ko Kiya Toone Kya Ishaara from  Yaarana  and  Kahiye, Suniye (duet with Asha Bhosle) from Baton Baton MeinBappi Lahiri also recorded many songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halaal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) likeAlbela Mausamand Pyar Ka Tohfa from Tohfa (1985).
Kishore Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. His second wife was actress  Madhubala, Their marriage ended with Madhubala's death on 23 February 1969.Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. He had two sons,Amit Kumar with Ruma, and Sumit Kumar with Leena Chandavarkar.
Some Interesting Gossips About Kishor Kumar
Kumar is said to have been paranoid about not being paid. During recordings, he would sing only after his secretary confirmed that the producer had made the payment. On one occasion, when he discovered that his dues had not been fully paid, he appeared on set with makeup on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).  On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him INR5,000. Ashok Kumar persuaded him to do the scene but when the shooting started, Kumar walked across the floor, walked a few places and said, Paanch Hazzar Rupaiya (five thousand rupees) and did a somersault. After he reached the end of the floor, he left the studio. On another occasion, when producer R.C. Talwar did not pay his dues in spite of repeated reminders, Kumar arrived at Talwar's residence and shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand") every morning until Talwar paid him.
In spite of his "no money, no work" principle, sometimes Kumar recorded for free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kumar helped actor-turned-producer Bipin Gupta by giving him INR 20,000 for the film Dal Mein Kala (1964). When actor Arun Kumar Mukherjee—one of the first persons to appreciate Kishore's singing talent—died, Kumar regularly sent money to Mukherjee's family in Bhagalpur.
Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior. He placed a sign that said "Beware of Kishore" at the door of his Warden Road flat. Once, producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kumar took the money and when Rawail offered to shake hands with him, Kumar reportedly put Rawail's hand in his mouth, bit it and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. According to another reported incident, once Kumar was due to record a song for producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kumar going out in his car. Sippy asked Kumar to stop his car but Kumar increased his speed. Sippy chased him to Madh Island where Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kumar refused to recognize or talk to him and threatened to call the police. The next morning, Kumar reported for the recording session. An angry Sippy questioned him about his behaviour the previous day but Kumar said that Sippy must have dreamt the incident and said that he was in Khandwa on the previous day.
Once, a producer went to court to get a decree that Kumar must follow the director's orders. As a consequence, he obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. After filming a car scene in Mumbai, Kumar drove until he reached  Khandala  because the director forgot to say "Cut". In the 1960s, a financier named Kalidas Batvabbal, who was disgusted with Kumar's alleged lack of cooperation during the shooting of Half Ticket, reported to the income tax authorities, who raided his house. Later, Kumar invited Batvabbal to his home, asked him to enter a cupboard for a chat and locked him inside. He unlocked Batvabbal after two hours and told him, "Don’t ever come to my house again".
On 13 October 1987—his brother Ashok's 76th birthday—he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. Kumar had recorded his last song, Guru Guru—a duet with Asha Bhosle for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri.
Filmfare Awards
Music director
"Roop Tera Mastana"
Sachin Dev Burman
Anand Bakshi
"Dil Aisa Kisi Ne Mera"
Shyamal Mitra
"Khaike Pan Banaras”
Kalyanji Anandji
"Hazaar Raahen Mudke”
Thodisi Bewafaii
"Pag Ghungroo Baandh"
Namak Halaal
Bappi Lahiri
"Agar Tum Na Hote"
Agar Tum Na Hote
Rahul Dev Burman
Gulshan Bawra
"Manzilein Apni Jagah”
Bappi Lahiri
"Saagar Kinaare"
Rahul Dev Burman
Javed Akhtar

Now Live "Karishma Kishore Da Ka"

Kishore-Kumar 0.jpg

Now On Air Live - only solo Romantic, Sad, Mastibhare, Chulbule songs of Versatile legendary playback singer, actor, lyricist, composer, producer, director "Kishore Da" in "Karishma Kishore Da Ka" Programme on his 29th Death Anniversary, From 8.00 AM to 8.00 AM (24Hrs) Only On Hits Of Bollywood Internet Radio.
Please Note That There Will be No repetition of any song During 24 Hrs Of This Programm.

Tuesday, 4 October 2016

Programme Schedule 'October' 2016

To 31-10-16
Old And New Hits Of BollywoodFrom 7.00 Hrs
To 7.00 Hrs
Every SundayRequest Songs From Listeners Around The WorldFrom 9.30 Hrs and Repeat at 15.30 Hrs,21.00 Hrs and Monday 6.30 Hrs
01-10-16Birth Anniversary Of Music Director "Sachin Dev Burman" Listen HimFrom 8.00 Hrs Onwards
04-10-16Birth Day Of  Singer "Shailendra Singh" Listen His SongsFrom 8.00 Hrs Onwards
13-10-16Death Anniversary Of Singer, Actor, Music Director and Lyricist "Kishore Kumar" Listen Him Throughout The Day, in Special Programme"Karishma Kishore Da Ka" more about him @myblogFrom 8.00 Hrs To Next day 8.00 Hrs
25-10-16Birth Anniversary Of Music Diretor "Shankar (Shankar Jaikishan)" Listen His CompositionFrom 8.00 Hrs  Onwards
25-10-16Death Anniversary of Lyricist "Sahir Ludhiyanvi" Listen His LyricsFrom 8.00 Hrs Onwards
31-10-16Death Anniversay Of Music Director "Sachin Dev Burman" More@blogFrom 8.00 Hrs Onwards

Tuesday, 27 September 2016


Lata Mangeshkar - still 29065 crop.jpg

Lata Mangeshkar was born on 28 September 1929 and is one of the best-known and most respected playback singers. Mangeshkar's career started in 1942 and has spanned over seven decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Marathi and Hindi. She is the elder sister of singers Asha BhosleHridaynath MangeshkarUsha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.
In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar JaikishanNaushad AliS. D. Burman, Pandit Husan Lal Bhagat Ram (in films like Bari Behan, Meena Bazaar, Afsana, Aadhi Raat, Ansoo, Chhoti Bhabi, Adal-e-Jehangir) C. RamchandraHemant KumarSalil Chowdhury,KhayyamRaviSajjad HussainRoshanKalyanji-AnandjiVasant DesaiSudhir PhadkeHansraj BehlMadan Mohan, andUsha Khanna. She made her debut in Tamil playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) with Tamil song Enthan Kannalan picturised on Nimmi in the dubbed version composed by Naushad.
Mangeshkar sang many raga-based songs for Naushad in movies such as Deedar (1951) , Baiju Bawra (1952), Amar (1954) ,Uran Khatola (1955) and Mother India (1957). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for BarsatAah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer S. D. Burman chose Mangeshkar as the leading female singer for his musical scores inSazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.
Mangeshkar won a Filmfare Award for Best Female Playback Singer for Salil Chowdhury's composition “Aaja Re Pardesi,” fromMadhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Albela (1951), Shin Shinkai Bublaa Boo (1952) , Anarkali (1953) , Pehli Jhhalak (1954) , Azad (1955) , Asha (1957) and Amardeep (1958). For Madan Mohan, she performed for films like Baagi (1953) Railway Platform (1955) , Pocketmar (1956),Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959) and Chacha Zindabad (1959).


Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-e-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar Jaikishan and picturized on Meena Kumari.
In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.
On 27 January 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Kavi Pradeep, is said to have brought the Prime Minister to tears.
In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).
During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), "Tu Jahan Jahan Chalega" from Mera Saaya (1966) and "Teri Aankho Ke Siva" from Chirag (1969).
The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. Starting in 1963, Laxmikant-Pyarelal association with Lata Mangeshkar grew stronger over the years. Lata Mangeshkar sang over 700 songs for the composer duo over a period of 35 long years, most of which became huge hits. She sang for Parasmani (1963), Mr. X in Bombay (1964), Aaye Din Bahar Ke (1966), Milan(1967), Anita (1967) Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969) and Jeene Ki Raah for which she got her 3rd Filmfare Award.
She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant PrabhuSrinivas Khale,Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar. She also made her Kannada debut in 1967 for the film Krantiveera Sangolli Rayanna by recording two songs for the music director Lakshman Berlekar. The song "Bellane Belagayithu" was received well and appreciated.
In this period Lata Mangeshkar has recorded duets with MukeshManna DeyMahendra KapoorMohammed Rafi, and Kishore Kumar. For a brief period during the 1960s, she was not on good terms with Mohammed Rafi over the issue of royalty payments to singers. Mangeshkar wanted Rafi to back her in demanding a half-share from the five percent song royalty that the film's producer conceded to select composers. But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song. This led to tensions between the two. After an argument during the recording of the song Tasveer Teri Dil Mein (Maya, 1961), the two refused to sing with each other. The music director Jaikishan later negotiated a reconciliation between the two.


In 1972, Meena Kumari's last film, Pakeezah, was released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973). She recorded many popular songs for Madan Mohan's last films, including Dastak (1970),Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).
Lata Mangeshkar's most notable songs in the 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman. She recorded several songs composed by Laxmi-Pyare in the 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh SultanpuriAnand Bakshiand Gulzar.
In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji Anandji.
From the 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert HallLondon, in 1974. She also released an album of Mirabai's bhajansChala Vaahi Des, composed by her brother Hridaynath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album ofabhangs of Sant Tukaram composed by Shrinivas Khale.
In 1978, Raj Kapoor direct Satyam Shivam Sundaram Lata Mangeshkar lends her voice to the main theme song "Satyam Shivam Sundaram", which was among the chart-toppers of the year. The story of was inspired by Lata Mangeshkar reveals Raj Kapoor's daughter Ritu Nanda in her latest book.
I visualised the story of a man falling for a woman with an ordinary countenance but a golden voice and wanted to cast Lata Mangeshkar in the role. The book quotes Raj Kapoor as saying.
In the late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt). She also sang many songs in Assamese language and had a very good relationship with Dada Saheb Phalke award winner singing legend Late Bhupen Hazarika. She sang many songs under his guidance and in Rudaali the song "Dil hoom hoom kare" made a highestrecord of sales that year.

1980s onwards

From the 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988) and Chandni (1989). Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985) and Maine Pyar Kiya (1989) which was a musical hit.[18] In 1988, Mangeshkar made a come back to Tamil films with two back to back renditions "Aaraaro Aaraaro" and "Valai Osai" for composer Ilayaraja's compositions for the filmsAanand and Sathya respectively.
In June 1985, the United Way of Greater Toronto invited the Lata Mangeshkar to perform at Maple Leaf Gardens. She filled 12,000 seats, raising $150,000 for the charity.
During the 1990s, she recorded with music directors including Anand-MilindNadeem-ShravanJatin Lalit, Dilip Sen-Sameer Sen, Uttam SinghAnu MalikAadesh Shrivastava and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh. She has also sung with S. P. BalasubrahmanyamUdit NarayanHariharanKumar SanuSuresh WadkarMohammed AzizAbhijeet BhattacharyaRoop Kumar RathodVinod RathodGurdas Maan and Sonu Nigam.
In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Awardfor Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridaynath.
Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991),Darr (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge! (2002) and Veer-Zaara (2004).
During 1990, Mangeshkar records with Ram Laxman in Patthar Ke Phool (1991), 100 Days (1991), Mehboob Mere Mehboob (1992), Saatwan Aasman (1992), I Love You (1992 film) (1992), Dil Ki Baazi (1993), Antim Nyay (1993), The Melody of Love (1993), The Law (1994), Hum Aapke Hain Koun..! (1994), Megha (1996), Lav Kush(1997), Manchala (1999), and Dulhan Banoo Main Teri (1999).
A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One 2 Ka 4), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa),"So Gaye Hain" (Zubeidaa) "Lukka chuppi" (Rang De Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.
In 1994, Lata Mangeshkar released Shraddanjali-My Tribute To The Immortals. The special feature of the album is that Lata offer her tributes to immortal singers of the time by rendering a few of their songs in her own voice. There are songs of K.L. Saigal, Rafi, Hemant Kumar, Mukesh, Punkaj Mallick and Kishore Kumar, Geeta dutt,Zohrabai, Amirbai, Parul Ghosh and Kanan Devi.
Mangeshkar sang both, Rahul Dev Burman's first and last song. In 1994, she sang last song Kuch Na Kaho for Rahul Dev Burman in 1942: A Love Story.
In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.
In 1999, Mangeshkar was nominated as a member of Rajya Sabha. However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma HeptullahPranab Mukherjee and Shabana Azmi. She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.
In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital inPune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Kashmir earthquake relief.Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.
Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.
On 21 June 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.On 12 April 2011, she released another album Sarhadein: Music Beyond Boundaries the album has a rare duet Tera Milna Bara Acha Lage by Lata Mangeshkar and Mehdi Hasan (written by Pakistan's Farhat Shahzad). The album features Usha MangeshkarSuresh WadkarHariharanSonu NigamRekha Bhardwaj and another Pakistani singer, Ghulam Ali.
After 14 years, Lata Mangeshkar recorded a song for composer Nadeem-Shravan Kese Piya Sai Mein Kaho for Bewafaa (2005).After Kitne Ajeeb Rishte Hain Yahan Par for Page 3 (2005) and Daata Sun Le for Jail (2009), Shamir Tandon once again recorded a song with Lata Mangeshkar Tere Hasne Sai Mujheko for the filmSatrangee Parachute (2011). After a gap Lata Mangeshkar is back in playback singing and recorded a song Jeena kya hai, jaana maine for the sequel of Kapil Sharma's queer love story Dunno Y... Na Jaane Kyun at her own studio.
On 28 November 2012, Lata Mangeshkar launched her own music label LM Music with an album of bhajans. She sang along with younger sister Usha on the album.
 List of awards received by Lata Mangeshkar
Lata Mangeshkar has won several awards and honors, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan(1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997),NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.
In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.
Although the entry has not been printed in Guinness editions since 1991, several sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000.However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by several other sources, with one of them stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250. Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information. In 2011 Asha Bhosle was officially acknowledged byGuinness as the most recorded artist in music history, surpassing Mangeshkar.