Thursday, 4 August 2016

Programme Schedule - August'16

DATE/DAYEVENTTIME IST
01-08-16
To 31-08-16
Old And New Hits Of Bollywood
From 7.00 Hrs
To 7.00 Hrs
Every SundayRequest Songs From Listeners Around The World
From 09.30 Hrs To 10.00 Hrs
Repeat at 15.30 and 21.00 Hrs
04-08-16Birth Anniversary Of Singer, Actor, Music Director, Lyricist "Kishore Kumar" Listen Him  24 Hrs, Read More @ BlogFrom 8.00 Hrs To 8.00 Hrs (5th)
15-08-16Independce Day Celebration - Patriotic SongsFrom 8.00 Hrs To 9.00 Hrs and 21.00 Hrs To 22.00 Hrs
18-08-16Birth Day Of Poet, Lyricist "Gulzar" Listen His Lyrics, Read More @ BlogFrom 8.00 Hrs To 11.00 Hrs
27-08-16Death Anniversay Of Singer "Mukesh" Listen Him, Read More @ BlogFrom 8.00 Hrs To 20.00 Hrs

Yaaden Kishore Da Ki

Kishore-Kumar 0.jpg

Kishore Kumar was born on 4th  August 1929 and became one of the greatest Indian film playback singer, actor, lyricist, composer, producer, director, screenplay writer and scriptwriter. He is considered the most successful Indian playback singer of the Hindi film industry of all time. He sang in many Indian languages including Bengali,Hindi, Assamese,Gujarati, Bhojpuri etc,

He won 8 Filmfare Awards for Best Male Playback Singer and holds the record for winning the most Filmfare Awards in that category. He was awarded the "Lata Mangeshkar Award" by the Madhya Pradesh government and from that year onwards, the Madhya Pradesh Government initiated a new award called the "Kishore Kumar Award" for contributions to Hindi cinema.
Music director S. D. Burman is credited with spotting Kumar's talent for singing. Burman recorded with Kumar for Dev Anand's Munimji (1954), Taxi Driver (1954),House No. 44 (1955),  Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide(1965), Jewel Thief (1967),  Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their songs were; "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). Asha Bhosle and Kumar performed duets composed by Burman including "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958) and "Arre Yaar Meri Tum Bhi Ho Gajab" from Teen Deviyan (1965). S. D. Burman and Kumar continued to work together, including "Phoolon Ke Rang Se" and "Shokhiyon Mein Ghola Jaaye" from Prem Pujari (1969), "Aaj Madhosh Hua Jaaye Re," "Khilte Hain Gul Yahan" and "O Meri Sharmilee" from Sharmilee (1971), "Meet na mila" from Abhimaan (1973), and "Jeevan ki Bagiya mehkegi" from Tere Mere Sapne (1974). In 1975, S. D. Burman composed his last song for Kumar; "Badi Sooni Sooni Hai" for the film Mili.
Kumar produced, directed, acted in composed the music for Jhumroo (1961), and wrote the lyrics for the film's title song, "Main Hoon Jhumroo". Later, he produced and directed Door Gagan Ki Chhaon Mein (1964). He wrote the script and composed music for the film, which is about the relationship between a father (Kishore Kumar) and his deaf and mute son (played by his real-life son (Amit Kumar).
In the late 1960s, Rahul Dev Burman worked with Kishore Kumar on the soundtrack of the film Padosan (1968), in which Kumar sang "Mere Saamne Wali Khidki Mein" and "Kehna Hai." Padosan was a comedy in which Kumar as a dramatist-musician,
In 1969, Shakti Samanta produced and directed Aradhana. He sang two songs in the film; "Meri Sapnon Ki Rani" and "Roop Tera Mastana". Shakti Samanta suggested that Kumar sing the other songs. When the film was released, Kumar's two songs established him as a leading Bollywood playback singer. Kishore Kumar won his first Filmfare award for"Roop Tera Mastana".
In the 1970s and 1980s, Kumar sang for Rajesh KhannaAmitabh Bachchan,  Dharmendra,  Jeetendra,  Sanjeev KumarDev AnandShashi KapoorMithun ChakrabortyVinod KhannaDilip KumarRandhir KapoorRishi KapoorRajiv KapoorSanjay DuttSunny DeolAnil KapoorRakesh RoshanDilip KumarPranSachinVinod MehraChunky PandeyKumar GauravGovinda and Jackie Shroff.
R.D. Burman recorded several songs with Kumar in the 1970s, including "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang(1971), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971) and "Chingari Koi Bhadke (Amar Prem)" and "Jab Bhi Koi Kangana" from Shaukeen (1986). Although he was not formally trained in the classical music, R.D. Burman often had Kumar sing semi-classical songs, such as "Hamein Tum Se Pyaar Kitna" from  Kudrat and "Mere Naina Saawan Bhadon" from Mehbooba.
R.D. Burman recorded several duets pairing Kumar with Asha Bhosle and with Lata Mangeshkar, including "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Jaane Ja Dhoondta" and "Kharoshoo" from Harjai(1982)]
Apart from the Burmans, Kumar worked with other music directors. The composer duo Laxmikant-Pyarelal (L-P) composed many songs sung by him, including "Mere Mehboob Qayamat Hogi" from Mr. X In Bombay, "Mere Naseeb Mein Aye Dost" from Do Raaste, "Yeh Jeevan Hai" from Piya Ka Ghar, "Mere Dil Mein Aaj Kya Hai" from Daag, "Nahi Mai Nahi Dekh Sakta" from Majboor, "Mere diwanepan ki bhi" from Mehboob Ki Mehndi, "Naach Meri Bulbul" from Roti, "Chal Chal Mere Haathi" from Haathi Mere Saathi and "Tu Kitne Baras Ki" from Karz. L-P also worked with Kumar and Mohammed Rafi on duets for the films DostanaRam Balram and Deedaar-E-Yaar. L-P composed I love you (Kaate Nahin Katate Yeh Din Yeh Raat)" from Mr. India in (1987), a duet with Kumar and Alisha ChinoySalil Chowdhury recorded songs like "Koi Hota Jisko Apna" from Mere Apne and "Gujar Gaye Din Din" from Annadata. Ravindra Jain recorded "Ghungroo Ki Tarah" and the duets "Le Jaayenge Le Jaayenge" from Chor Machaye Shor and "Tota Maina Ki Kahani" fromFakira.
Khaiyyaam recorded Kumar's duets with Lata Mangeshkar, including "Hazaar Raahein" from Thodisi Bewafaii and Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from MashaalKalyanji Anandji recorded several songs with Kumar including Zindagi Ka Safarand Jeevan Se Bhari Teri Aankhein, from Safar, O Saathi Re from Muqaddar Ka Sikandar and Pal Bhar Ke Liye from Johny Mera Naam.
Kumar worked with other composers including Rajesh RoshanSapan Chakraborty and Bappi Lahiri. Kumar sang Bhool Gaya Sab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise for Rajesh Roshan's film Julie. Their other songs include Yaadon Mein Woh from SwamiChhookar Mere Man Ko Kiya Toone Kya Ishaara from  Yaarana  and  Kahiye, Suniye (duet with Asha Bhosle) from Baton Baton MeinBappi Lahiri also recorded many songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halaal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) likeAlbela Mausamand Pyar Ka Tohfa from Tohfa (1985).
Kishore Kumar married four times. His first wife was Bengali singer and actress Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. His second wife was actress  Madhubala, Their marriage ended with Madhubala's death on 23 February 1969.Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore was married to Leena Chandavarkar from 1980 until his death. He had two sons,Amit Kumar with Ruma, and Sumit Kumar with Leena Chandavarkar.
Some Interesting Gossips About Kishor Kumar
Kumar is said to have been paranoid about not being paid. During recordings, he would sing only after his secretary confirmed that the producer had made the payment. On one occasion, when he discovered that his dues had not been fully paid, he appeared on set with makeup on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment).  On the sets of Bhai Bhai, Kishore Kumar refused to act because the director M V Raman owed him INR5,000. Ashok Kumar persuaded him to do the scene but when the shooting started, Kumar walked across the floor, walked a few places and said, Paanch Hazzar Rupaiya (five thousand rupees) and did a somersault. After he reached the end of the floor, he left the studio. On another occasion, when producer R.C. Talwar did not pay his dues in spite of repeated reminders, Kumar arrived at Talwar's residence and shouting "Hey Talwar, de de mere aath hazaar" ("Hey Talwar, give me my eight thousand") every morning until Talwar paid him.
In spite of his "no money, no work" principle, sometimes Kumar recorded for free even when the producers were willing to pay. Such films include those produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kumar helped actor-turned-producer Bipin Gupta by giving him INR 20,000 for the film Dal Mein Kala (1964). When actor Arun Kumar Mukherjee—one of the first persons to appreciate Kishore's singing talent—died, Kumar regularly sent money to Mukherjee's family in Bhagalpur.
Many journalists and writers have written about Kishore Kumar's seemingly eccentric behavior. He placed a sign that said "Beware of Kishore" at the door of his Warden Road flat. Once, producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kumar took the money and when Rawail offered to shake hands with him, Kumar reportedly put Rawail's hand in his mouth, bit it and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. According to another reported incident, once Kumar was due to record a song for producer-director G. P. Sippy. As Sippy approached his bungalow, he saw Kumar going out in his car. Sippy asked Kumar to stop his car but Kumar increased his speed. Sippy chased him to Madh Island where Kumar finally stopped his car near the ruined Madh Fort. When Sippy questioned his strange behavior, Kumar refused to recognize or talk to him and threatened to call the police. The next morning, Kumar reported for the recording session. An angry Sippy questioned him about his behaviour the previous day but Kumar said that Sippy must have dreamt the incident and said that he was in Khandwa on the previous day.
Once, a producer went to court to get a decree that Kumar must follow the director's orders. As a consequence, he obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. After filming a car scene in Mumbai, Kumar drove until he reached  Khandala  because the director forgot to say "Cut". In the 1960s, a financier named Kalidas Batvabbal, who was disgusted with Kumar's alleged lack of cooperation during the shooting of Half Ticket, reported to the income tax authorities, who raided his house. Later, Kumar invited Batvabbal to his home, asked him to enter a cupboard for a chat and locked him inside. He unlocked Batvabbal after two hours and told him, "Don’t ever come to my house again".
On 13 October 1987—his brother Ashok's 76th birthday—he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. Kumar had recorded his last song, Guru Guru—a duet with Asha Bhosle for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri.
Filmfare Awards
Winner:
Year
Song
Film
Music director
Lyricist
1969
"Roop Tera Mastana"
Aradhana
Sachin Dev Burman
Anand Bakshi
1975
"Dil Aisa Kisi Ne Mera"
Amanush
Shyamal Mitra
Indeevar
1978
"Khaike Pan Banaras”
Don
Kalyanji Anandji
Anjaan
1980
"Hazaar Raahen Mudke”
Thodisi Bewafaii
Khayyam
Gulzar
1982
"Pag Ghungroo Baandh"
Namak Halaal
Bappi Lahiri
Anjaan
1983
"Agar Tum Na Hote"
Agar Tum Na Hote
Rahul Dev Burman
Gulshan Bawra
1984
"Manzilein Apni Jagah”
Sharaabi
Bappi Lahiri
Anjaan
1985
"Saagar Kinaare"
Saagar
Rahul Dev Burman
Javed Akhtar

Saturday, 30 July 2016

Remembering Rafiji

Mohammed Rafi.jpg

Mohammed Rafi  (24 December 1924 – 31 July 1980) is considered to be one of the greatest Indian playback singers of the Hindi film industry. In his lifetime, he was awarded the National Film Award, Best National Singer Award and six Filmfare Awards. In 1967, he was honoured with the Padma Shri award by the Government of India.His singing career spanned about 35 years. Rafi is noted for his ability to sing songs of different moods and varieties. They ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawwalis to ghazals and bhajans. He is best known for romantic and duet songs and, as a playback singer, his ability to mould his voice to the persona of the actor lip-synching the song.

In his early career, Rafi associated with many contemporary music directors, most notably Naushad Ali. In the late 1950s and 1960s, he worked with other composers of the era such as O. P. Nayyar, Shankar Jaikishan, S.D. Burman and Roshan.


Assosiation With Various Music Composers

As per Naushad, Rafi came to him with a letter of recommendation from Naushad's father.Rafi’s first song for Naushad was "Hindustan Ke Hum Hain" ("We belong to Hindustan") for the film Pehle Aap in 1944. The first song for the duo was the soundtrack of the movie Anmol Ghadi (1946). Before Rafi, Naushad’s favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording. He was annoyed and hired Rafi to sing all the songs of the movie Baiju Bawra.
Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi cinema.Songs from Baiju Bawra (1952) like "O duniya ke rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.Rafi ended up singing a total of 149 songs (81 of them solo) for Naushad.In the 1960 film Mughal-E-Azam, Mohammed Rafi sang "Ae Mohabbat Zindabad", composed by Naushad, with a chorus of 100 singers.S. D. Burman patronized Rafi as the singing voice of Dev Anand and Guru Dutt.[16] Rafi worked with Burman in movies like Pyaasa (1957), Kaagaz Ke Phool (1959), Tere Ghar Ke Samne (1963), Guide (1965), Aradhana (1969), and Abhimaan (1973). S. D. Burman was also another music director besides Naushad who used Rafi prolifically to sing for most of his songs.Rafi's partnership with Shankar Jaikishan was among the most famous and successful in the Hindi film industry. Under Shankar-Jaikishan, Rafi produced some of his songs for actors like Shammi Kapoor and Rajendra Kumar. Out of six Filmfare awards, Rafi won three for S-J songs — "Teri Pyari Pyari Surat Ko", "Baharon Phool Barsao", and "Dil Ke Jharokhe Mein". The song "Yahoo! Chahe Koi Mujhe Junglee Kahe" was sung by Rafi, only to be matched a fast-paced orchestra and a composition by Shankar Jaikishan. S-J made Rafi give playback for Kishore Kumar in the film Shararat ("Ajab hai daastan teri yeh zindagi"). Rafi sang a total of 341 numbers (216 solo) for Shankar-Jaikishan.Among the films of this combination are BasantBahar, Professor, Junglee, Suraj, Brahmachari, An Evening in Paris, Dil Tera Deewana, Yakeen, Prince, Love in Tokyo, Beti Bete, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Se Hota Hai.Rafi got his first Filmfare Award for the title song of Chaudhvin Ka Chand (1960), composed by Ravi. He got National Award for the song "Babul Ki Duaen Leti Ja" from the filmNeel Kamal (1968), also composed by Ravi. Rafi wept during the recording of this song. He admitted this in his interview to the BBC in 1977.Ravi and Rafi produced several other songs in the films China Town (1962), Kaajal (1965), and Do Badan (1966).Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Ankhen (1950) was "Hum Ishq Mein Barbad Hain Barbad Rahenge".They teamed up to produce many songs including "Teri Aankhon Ke Siva", "Yeh Duniya Yeh Mehfil" and "Tum Jo Mil Gaye Ho".Rafi and O. P. Nayyar (OP) created music in the 1950s and 1960s. O. P. Nayyar was once quoted as saying "If there had been no Mohd. Rafi, there would have been no O. P. Nayyar".[18] He and Rafi created many songs together including "Yeh Hai Bombay Meri Jaan". He got Rafi to sing for singer-actor Kishore Kumar – "Man Mora Baawara" for the movie Raagini. Later, Rafi sang for Kishore Kumar in movies such as Baaghi, Shehzaada and Shararat. O. P. Nayyar used Rafi and Asha Bhosle for most of his songs. The team created many songs in early 1950s and 1960s for movies such as Naya Daur (1957), Tumsa Nahin Dekha (1957), and Kashmir Ki Kali (1964). Rafi sang a total of 197 numbers (56 solo) for Nayyar.The songs "Jawaaniyan yeh mast mast" and the title song "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" of the film Tumsa Nahin Dekhawere hits. They were followed by songs like "Taareef karoon kya uski jisne tumhe banaya" from Kashmir ki Kali.Rafi and OP had a fallout during the recording for movie "Sawan ki Ghata". As disclosed by OP during one of his interviews; Rafi reported late to the recording stating that he was stuck in Shankar Jaikishan's recording. OP then stated that from now on he too did not have the time for Rafi and cancelled the recording. They did not work together for the next 3 years.The composer duo Laxmikant-Pyarelal (L-P) patronized Rafi as one of their singers, right from their very first song by him from the film, Chaila Babu-1967. Rafi honoured the affection and commitment of the duo by accepting no payment for the song "Tere pyaar ne mujhe gham diya" . Rafi and L-P won the Filmfare Awards for the song "Chahoonga Main Tujhe Saanjh Savere" from Dosti (1964). Rafi rendered the maximum number of songs for the music director duo Laxmikant-Pyarelal: 369 numbers (186 solo) for L-P.Once, when composer Nisar Bazmi (who had migrated to Pakistan) didn’t have enough money to pay him, Rafi charged a fee of one rupee and sang for him. He also helped producers financially. As Laxmikant (of the Laxmikant-Pyarelal duo) once observed – “He always gave without thinking of the returns”.Between 1950 and 1970, Rafi was the most sought after singer in the Hindi Film industry.He sang for many male stars in Hindi films.In 1965, he was honoured by theGovernment of India with the Padma Sri award. Rafi recorded two Hindi songs in English on 7" release in 1968. He also sang a song in Creole while on his visit to Mauritius in the late 1960s.Rafi recorded two English albums as well. One of them is Pop Hits.Association with his Contemporary SingersRafi associated with several of his contemporaries, singing duets with them and sometimes for them (as in case of Kishore Kumar who was also an actor). Rafi sang the maximum number of duets with Asha Bhonsle (female), Manna Dey (male) and Lata Mangeshkar (female).In the song "Humko Tumse Ho Gaya Hai Pyaar Kya Karein" (Amar, Akbar, Anthony), Mohd Rafi sang with Kishore Kumar, Lata Mangeshkar and Mukesh,the most legendary singers in Bollywood - all in one song. This was probably the only time that all of them rendered their voices for one song.In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R.D. Burman.Rafi sang for Rishi Kapoor in films like Laila Majnu (for which music was given by two composers Madan Mohan, and after his death by Jaidev), Amar Akbar Anthony (1977), Sargam(1979) and Karz (1980). The qawwali "Pardah Hai Pardah" from Amar Akbar Anthony (1977) was a superhit. Rafi's notable renderings in the late 1970s and early 1980s includeBairaag (1976), Laila Majnu (1976), Apnapan (1978), Suhaag (1979), QurbaniDostana (1980),The Burning Train (1980),Naseeb (1981), Abdullah (1980), Shaan (1980), Asha(1980), Aap To Aise Na The (1980), and Zamane Ko Dikhana Hai (1982). The fact now was Rafi saab was back being the number one singer of India. True talent could not be put down!Rafi is Primarily noted for his songs in Hindi.He also sang in other indian languages including Assamese, Konkani, Marathi, Bhojpuri, Punjabi etc,
From available figures, Rafi sang 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980.
Rafi made a comeback as a leading singer in 1974. That year, he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna.

Awards – National Film


Year
Song
Movie
Music Director
Lyricist
Result
1977
Kys Hua Tera Wada
Hum Kisise Kum Nahin
R.D.Burman
Majrooh Siltanpuri
Won

Awards – Filmfare

Year
Song
Movie
Music Director
Lyricist
Result
1960
Chaudhvin Ka Chand Ho
Ravi
Shakeel Badayun
Won
1961
"Teri Pyaari Pyaari Surat Ko"
Hasrat Jaipuri
Won
1961
"Husnwale Tera Jawab Nahin"
Nominated
1962
"Aye Gulbadan Aye Gulbadan"
Nominated
1963
"Mere Mehboob Tujhe"
Nominated
1964
"Chahunga Main Tujhe"
Won
1965
"Chhoo Lene Do Nazuk Hothon Ko"
Nominated
1966
"Baharo Phool Barsao"
Won
1968
"Mein Gaaon Tum Sojaao"
Nominated
1968
"Dil Ke Jharoke Mein"
Won
1969
"Badi Mastani Hai"
Nominated
1970
"Khilona Jaan Kar"
Nominated
1973
"Hum Ko To Jaan Se Pyaari"
Naina
Nominated
1974
"Achha Hi Huva Dil Toot Gaya"
Maa Bahen Aur Biwi
Sharda
Qamar Jalalabadi, Vedpal Varma
Nominated
1977
Nominated
1977
"Kya Hua Tera Wada"
Won
1978
"Aadmi Musaafir Hai"
Apnapan
Nominated
1979
"Chalo Re Doli Uthao Kahaar"
Varma Malik
Nominated
1980
"Mere Dost Kissa Yeh"
Nominated
1980
"Maine Poocha Chand Se"
Abdullah
Nominated
1980
“Dard-E-Dil Dard-E-Jigar”
Karz
Nominated

Rafi died at 10:50 p.m. on 31 July 1980, following a heart attack. His last song was "Shaam phir kyun udaas hai dost" (Aas Paas), which he had recorded with Laxmikant-Pyarelal a few hours before his death.